Blue in Chicago
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Blue in Chicago
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
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See moreThe bittersweet, sharply observed stories in Blue in Chicago introduce British readers for the first time to Bette Howland, a forgotten great of twentieth-century American fiction, perfect for fans of Lucia Berlin, Lydia Davis and Alice Munroe.
The bittersweet, sharply observed stories in Blue in Chicago introduce British readers for the first time to Bette Howland, a forgotten great of twentieth-century American fiction, perfect for fans of Lucia Berlin, Lydia Davis and Alice Munroe.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Saul Bellow hailed Howland as a significant writer of her generation. The New York Times praised her as fiercely straightforward and warmhearted. Rachel Cooke from the Observer compared her prose to a blend of Nora Ephron and Lorrie Moore, noting its sharp wit and occasional deep sadness. The Times admired her pinpoint vision and jewel-like sentences, while the Telegraph called her writing captivating and empathetic. Lucy Scholes of the TLS highlighted the bookβs truthful compassion towards societyβs forgotten and forlorn.
Book Details
INFORMATION
ISBN: 9781529035827
Publisher: Pan Macmillan
Format: Hardback
Date Published: 09 July 2020
Country: United Kingdom
Imprint: Picador
Audience: General / adult
DIMENSIONS
Spine width: 30.0mm
Width: 135.0mm
Height: 216.0mm
Weight: 488g
Pages: 336
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About the Author
Bette Howland (1937-2017) was the author of three books: W-3, Blue in Chicago, and Things to Come and Go. She received a MacArthur Fellowship in 1984, after which though she continued writing she would not publish another book. Near the end of her life, her stories found new readers when a portfolio of her work appeared in a special issue of A Public Space magazine exploring a generation of women writers, their lifetimes of work, and questions of anonymity and public attention in art.
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