{"title":"Series: Methuen Drama Agitations: Text, Politics and Performances","description":"\u003cp\u003e\u003cem\u003eMethuen Drama Agitations: Text, Politics and Performances\u003c\/em\u003e offers a compelling exploration of theatre as a dynamic force within political and social discourse. Readers will find incisive analyses that connect dramatic texts with historical and contemporary contexts, revealing how performance can challenge, provoke, and inspire change.\u003c\/p\u003e\n\n\u003cp\u003eThis series invites readers to engage with the intersections of art and activism, illuminating the power of drama to reflect and shape cultural debates. Ideal for those interested in theatre, political thought, and critical performance studies, the collection emphasises the transformative potential of the stage.\u003c\/p\u003e","products":[{"product_id":"theatre-and-its-audiences-by-kate-craddock-9781350339170","title":"Theatre and its Audiences","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eWritten in the aftermath of the Covid crisis, this open access book brings the past, present and future of theatre-going together as it explores the nature of the relationships between performance practitioners, arts organisations and their audiences.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eProposing that the pandemic forced a re-evaluation of what it means to be an audience, and combining historical and current cultural sector perspectives, the book reflects on how historical conventions have conditioned present day expectations of theatre-going in the UK. Helen Freshwater examines the ways in which developments in technology, architecture and forms of communication have influenced what is expected by and of audiences, reflecting changes in theatre’s cultural status and place in our lives.\u003c\/p\u003e\n\n\u003cp\u003eDrawing on the first-hand experiences of festival director and performance practitioner Kate Craddock, it also contends that practitioners now need to turn their attention to care, access and sustainability, arguing that the pandemic taught us, above all, that it is possible to do things differently. Part vision, part provocation, part critical interrogation, \u003cem\u003eTheatre and its Audiences\u003c\/em\u003e offers an insightful appraisal of past norms and assumptions to set out a bold argument about where we should go from here.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Newcastle University.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47599113371884,"sku":"9781350339170","price":49.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/35a3bd4217d146edfad8a7e5e77dcc8b.jpg?v=1778037664"},{"product_id":"performing-the-radical-9781350465619","title":"Performing the Radical","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eThis volume redefines the radical by exploring a range of contemporary theatre and performance produced in response to the politico-cultural climate of 21st-century India.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOffering a critique of dominant power structures in India, this book showcases how the rise in censorship and intolerance of dissent has brought forth new forms of political and aesthetic radicalism. Theatre has found many ways to perform the radical as a form of resistance, intersecting with other art forms as well as the political itself in its performative articulations.\u003c\/p\u003e\n\n\u003cp\u003eChapters include discussions of the performance of protest; creation of an alternative worldview through indigenous rituals and cultural festivals; world-making through transformative encounters; devised plays and documentary theatre as tools of dissent; radical imperatives of care in animated videos and short films; scenography and the actor’s body as sites of resistance; the performance of faith as survival in a hostile world and conversations with artists. The radical in contemporary Indian theatre and performance is shown to lie in creating a new ‘transgressive aesthetic,’ often formally hybrid, to project alternative perspectives and possibilities.\u003c\/p\u003e\n\n\u003cp\u003eBalancing theory, context and performance analysis, \u003cem\u003ePerforming the Radical\u003c\/em\u003e brings out an underexplored aspect of 21st-century Indian theatre and performance. Through its focus on different iterations of the radical in a democratic society and performance, it articulates theatre’s ability to disrupt the status quo and reveal the possibilities of change.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47934181769452,"sku":"9781350465619","price":350.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350465619-performing-the-radical.jpg?v=1783902035"}],"url":"https:\/\/bookhero.live\/collections\/series-methuen-drama-agitations-text-politics-and-performances.oembed","provider":"Book Hero","version":"1.0","type":"link"}