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Literature Through Film

Realism, Magic, and the Art of Adaptation
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( 46 ratings, 2 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Literature Through Film by Robert Stam offers a comprehensive and accessible exploration of how literature is adapted into film. It traces key developments in novel history from classics like Don Quixote and Robinson Crusoe to modern works such as Lolita and One Hundred Years of Solitude. The book examines literary movements including the self-conscious novel and magic realism, and assesses their impact on cinema. It employs contemporary theory to reinvigorate adaptation studies, considering themes of multiculturalism, postcoloniality, and the digital age. Rich in insights, this book is an essential introduction to the dynamic relationship between novels and film adaptations.
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Format: Paperback / softback
$8399
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for students and scholars of literature, film studies, and adaptation theory, as well as readers interested in cultural studies and the interplay between different art forms.

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This accessible textbook, written by an expert in film studies, provides an introduction to the process and art of literature-to-film adaptations.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Written by a leading figure in film and literary studies, this accessible textbook offers a first-rate analysis of the process and the art of literature-to-film adaptations. Literature Through Film provides a lively, rigorous, and clearly written account of key moments in the history of the novel, from Don Quixote and Robinson Crusoe up to Lolita and One Hundred Years of Solitude.

The book emphasizes both the literary texts themselves and their varied transtextual film adaptations. It examines numerous literary trends—from the self-conscious novel to magic realism—before exploring the cinematic impact of the movement.

It reinvigorates the field of adaptation studies by examining it through the grid of contemporary theory. Literature Through Film brings novels and film adaptations into the age of multiculturalism, postcoloniality, and the Internet by reflecting on their contemporary relevance.

The book contains a wealth of insights for those who care about literature, film, and theory, offering the ideal introduction to this multifaceted subject. Together with its two companion volumes, it will doubtless change the field.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Michael Holquist of Yale University praises the book for deepening understanding of both novels and films, highlighting Stam's innovative contribution to translation theory through analysis of cross-medium adaptations.

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Book Details

INFORMATION

ISBN: 9781405102889

Publisher: John Wiley and Sons Ltd

Format: Paperback / softback

Date Published: 09 September 2004

Country: United Kingdom

Imprint: Wiley-Blackwell

Audience: Professional and scholarly

DIMENSIONS

Spine width: 23.0mm

Width: 153.0mm

Height: 229.0mm

Weight: 585g

Pages: 416

About the Author

Robert Stam is University Professor at New York University. His many books include Film Theory: An Introduction (Blackwell, 2000), Unthinking Eurocentrism: Multiculturalism and the Media (with Ella Shohat, 1994), and Subversive Pleasures: Bakhtin, Cultural Criticism and Film (1989). With Toby Miller, he is the editor of Film and Theory (Blackwell, 2000) and The Blackwell Companion to Film Theory (2000).

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    This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes,...
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  • Indigeneity and the Decolonizing Gaze
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