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Tate: Colour: A Visual History

Series: Tate
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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Tate: Colour: A Visual History reveals the fascinating story of colour spanning over 400 years by exploring key scientific discoveries and artists' works. From Isaac Newton’s pioneering experiments in optics and the creation of one of the first printed colour wheels to Olafur Eliasson’s immersive contemporary art, this beautifully illustrated volume showcases original colour materials such as charts, wheels, palettes, swatches, and schemes. Through chapters covering the eighteenth-century colour revolution, technological advances in the nineteenth century, and colour’s evolving role in art and industry, the book offers an engaging journey through the rich history and enduring influence of colour.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in arts and culture, including artists, designers, historians, and anyone fascinated by the science and history behind colour. It suits those seeking a visually stunning reference that combines art, science, and cultural history.

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Learn how colour was recorded and explored, and discover how this knowledge has shaped our understanding of the visual world.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Discover the story of colour through the significant scientific discoveries and key artist's works over 400 years.

From Isaac Newton's investigations through to Olafur Eliasson's experiential creations, this stunning book documents the fascinating story of colour with an extraordinary collection of original colour material that includes charts, wheels, artists' palettes, swatches and schemes.

In 1704, the scientist Isaac Newton published OPTICKS, the result of many years of researching light and colour. By splitting white light, Newton identified the visible range of colours, or the rainbow spectrum. In OPTICKS, he built a colour system around his findings, and he visualised this system in a circular shape, making it one of the first printed colour wheels.

The influence of Newton and his followers, combined with the invention of many new pigments as well as watercolours in moist cake form, had made painting with colour an exciting occupation not just for serious artists but also for a much wider audience. The colour revolution had begun.

Contents

Introduction

1. Unravelling the Rainbow: The Eighteenth-Century Colour Revolution

2. Romantic Ideas & New Technologies: The Early Nineteenth Century

3. Industrialism to Impressionism: The Later Nineteenth Century

4. Colour for Colour's Sake: Colour into the Future:

Glossary

Bibliography

Index

Series: Tate

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  • Tate: Colour: A Visual History
    Discover the story of colour through the significant scientific discoveries and key artist's works over 400 years. From Isaac Newton's investigations through to Olafur Eliasson's experiential creations, this stunning book documents the fascinating story of colour with an extraordinary collection of original colour material that includes charts, wheels, artists' palettes, swatches and schemes. In 1704, the scientist Isaac Newton published...
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Book Details

INFORMATION

ISBN: 9781781573990

Publisher: Octopus Publishing Group

Format: Hardback

Date Published: 07 March 2019

Country: United Kingdom

Imprint: Ilex

Illustration: 200+

Audience: General / adult

DIMENSIONS

Spine width: 26.0mm

Width: 220.0mm

Height: 282.0mm

Weight: 1400g

Pages: 240

About the Author

Alexandra Loske is an art historian, curator and editor with a particular interest in late eighteenth and early nineteenth century European art and architecture. She was born and grew up in Germany, came to England in 1997 and has been working at the University of Sussex since 1999. She has lectured and published widely on the history of art, and colour in particular. Since 2015 she has been a curator at the Royal Pavilion & Brighton Museums and has curated a number of exhibitions and displays.

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